| "Denied her rightful place, The historians have ignored her You never see her face..." -Vaginal Davis, "Essays de la Mujer" |
This website exists today only because courageous, intelligent and daring women back
in the 1970's decided to break the rules of society. They rallied together under the
banner of the punk movement. Many of them are no longer with us.
This page is dedicated to their memories.
I am sending out e-mail interviews to women who were actively involved in the late
seventies L.A. punk scene. Everyone gets the same eight questions. No space or time
limitations. Since I think that women's voices have already been over-edited by others, I
reserve the right to refuse to edit these women's responses. Instead, I intend to publish
them in their entirety, raw and unexpurgated.
LET THE WOMEN SPEAK!
in the 1970's decided to break the rules of society. They rallied together under the
banner of the punk movement. Many of them are no longer with us.
This page is dedicated to their memories.
I am sending out e-mail interviews to women who were actively involved in the late
seventies L.A. punk scene. Everyone gets the same eight questions. No space or time
limitations. Since I think that women's voices have already been over-edited by others, I
reserve the right to refuse to edit these women's responses. Instead, I intend to publish
them in their entirety, raw and unexpurgated.
LET THE WOMEN SPEAK!
Past Interviews
Fourth in my series of interviews with influential women in the early L.A. punk scene is
none other than Ms. Philomena "Philly" Bessy. I'm very happy to have this all-too brief
interview with Philly, because I've known her since my earliest days in the punk scene
and she was always a good friend to me. Even though she is reticent about her
involvement, her importance to the L.A. punk scene should not go unrecognized. As
co-editor of Slash, she was one of a handful of people who nurtured the fledgling scene
and helped it to blossom. As the longtime partner and spouse of the late Claude Bessy
(aka Kickboy Face) she was both muse and protector of the punk spirit.
Philly has lived abroad since she and Claude left the U.S. in the 1980's. She is a travel
writer and an educator and I am proud to call her my friend.
Philly also let me know about a website dedicated to her husband, featuring some of his
wonderful writing: Claude Bessy.
none other than Ms. Philomena "Philly" Bessy. I'm very happy to have this all-too brief
interview with Philly, because I've known her since my earliest days in the punk scene
and she was always a good friend to me. Even though she is reticent about her
involvement, her importance to the L.A. punk scene should not go unrecognized. As
co-editor of Slash, she was one of a handful of people who nurtured the fledgling scene
and helped it to blossom. As the longtime partner and spouse of the late Claude Bessy
(aka Kickboy Face) she was both muse and protector of the punk spirit.
Philly has lived abroad since she and Claude left the U.S. in the 1980's. She is a travel
writer and an educator and I am proud to call her my friend.
Philly also let me know about a website dedicated to her husband, featuring some of his
wonderful writing: Claude Bessy.
1. What was/is your contribution to the punk community? I was co-editor of a music magazine called Slash which started the whole movement in L.A. 2. Which artist, band concert and/or show had the most impact on your life? The first Screamers show at Larchmont Hall. 3. What was the role of women in the early punk scene? It's difficult for me to think about those days, but I suppose women seemed stronger and more confident, maybe fighting more for equality, it was unusual to have a female film director (Penelope) and a lot of women in bands (like you), I've noticed travelling that women only sing and dance, rarely play instruments (though I did an interview with a woman in Madagascar who made her own instrument)....I'm sorry I'm a bit hopeless at this, but for me women had already started moving upwards with the hippie movement. 4. What is the legacy of punk in your life? Insight into people of a younger generation. 5. What are you listening to now? World music; i.e., African, South American. 6. Do you have any funny or interesting stories to share? Well, there is a personal story I remember....can't remember whose party, but the police came, Claude had bottles hidden under the trees and went to dig them out, the police took him when I wasn't looking, roughed him up and put him in jail. I thought he'd left me behind and gone on to the Blondie party so when he rang in the morning I was very angry and hung up on him until he rang back and explained, then I sheepishly had to go and pick him up...I remember a spaghetti fight at The Screamers'...When I think of the punk days I think of the punks 'rioting!' outside...mm what was that place called? (ed. Elks Lodge, now Park Plaza Hotel) when police cars and helicopters came because someone threw a can of beer down the stairs, and the police hit kids with their batons, one of the Xerox twins went for a cop because he hurt her sister, they handcuffed her and she broke the handcuffs....and another time I remember well was Claude being dragged off the stage after trying to sing (drunkenly!) with The Clash and backstage bouncers kicked him. We hobbled home and there was a party in full swing already started in our flat. 7. Are there any punk women from the early scene that you feel have not been been adequately recognized? (I'm) out of touch now, here in Spain. 8. What is something we should know about you that we probably don't know? Nothing. |
| Claude outside the Elks Lodge during the "riot." Photo by Ann Summa |
| The staff listing and cover from the first issue of Slash, May 1977. Note that Philomena is one of the handful of people who worked on Slash at the beginning. |
| Philly with a friend in Madagascar. |
| Philly in Brazil. She's a travel writer now, what a tough job! |
| Claude and Philly in Santa Monica, CA in 1974. |